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A less complicated circuit means fewer things that can go wrong, less component drift issues, it’s easier to service and has less potential for noise problems.
The Tremolux is rarer than the other blackface piggy back amps since it was produced over a shorter period of time.
Jumping channels in the AA763 Tremolux can give you a wider spectrum of tones than by using just one channel.
You may for example use the normal channel to deliver the bass tones and the vibrato channel for sparkling clean sound with bright switch on and zero bass.
The blackface Tremolux and Bandmaster (AB763) are almost identical amps, just that the Tremolux is sized for smaller events and gigs.
One does not reach the sweet spot as early as with the Reverb-amps with an additional gain stage in the preamp section.
The Tremolux uses only one 12ax7 tube in the preamp section in both channels before the signal enters the phase inverter.
The Tremolux had tube rectifier, while the blackface Bandmaster had diode. The Tremolux speaker cabinet was 2×10″ and not 2×12″.
The Tremolux had smaller transformers (power and output) than the Bassman and Bandmaster.