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The question and answer session with the director and lead actors that was held after the showing went on for much longer than anyone was accustomed to.Most questions had to do with how Jo Seung-woo was able to convincingly take on the role of an autistic young man.A peacock appears on the island, with no clear explanation or motivation.And the tango, a very un-Korean pasttime, makes a striking appearance in the film.As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film.That all changed however, after Marathon had its press screening.It was reported immediately after in numerous newspapers that the journalists in attendance applauded long and hard following the press screening and that most of them were in tears.

(Darcy Paquet) There was a lot going on in the world of Korean film at the beginning of 2005.Almost missed among all that was a quiet film directed by a virtual unknown but starring the talented Jo Seung-woo.The media found it interesting as 'a story of human triumph' but most people seemed certain that Kang Woo-suk's feature would dominate the box office.To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.The relaxed, convincing performances of the actors also deserve notice.

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