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This was explained in the context of the series as a disguise created by the ship's "chameleon circuit", a mechanism which is responsible for changing the outside appearance of the ship the millisecond it lands in order to fit in with its environment.The First Doctor explains that if it were to land in the middle of the Indian Mutiny, it might take on the appearance of a howdah (the carrier on the back of an elephant).They are also said to draw power from the entire universe as revealed in the episode "Rise of the Cybermen" (2006), in which the TARDIS is brought to a parallel universe and cannot function without the use of a crystal power source from within the TARDIS, charged by the Doctor's life force.Other elements needed for the proper functioning of the TARDIS and requiring occasional replenishment include mercury (used in its fluid links), the rare ore Zeiton 7 (Vengeance on Varos, 1985), a trachoid time crystal (The Hand of Fear, 1976) and "artron energy".is a fictional time machine and spacecraft that appears in the British science fiction television programme Doctor Who and its various spin-offs.The TV show Doctor Who mainly features a single TARDIS owned by the central character the Doctor.Before a TARDIS becomes fully functional, it must be primed with the biological imprint of a Time Lord, normally done by simply having a Time Lord operate the TARDIS for the first time.
In addition, the BBC had been selling merchandise based on the image for over three decades without complaint by the police.
Without the Imprimatur, molecular disintegration would result; this serves as a safeguard against misuse of time travel even if the TARDIS technology were copied.
Once a time machine is properly primed, however, with the imprint stored on a device called a "briode nebuliser", it can be used safely by any species.
When employed in the series, the sound is usually synchronised with the flashing light on top of the police box, or the fade-in and fade-out effects of a TARDIS (see "Controls" below).
Writer Patrick Ness has described the ship's distinctive dematerialisation noise as "a kind of haunted grinding sound", This was challenged by the Metropolitan Police, who felt that they owned the rights to the police box image.